Product video
Short cuts for product pages, on-white or on-model. We grade them against your photography so the video and the stills look like they came from one shoot.
Also from Kazi
We edit video, too.
Kazi runs a small editing team alongside the factory, mostly for brands who already manufacture with us. They cut product videos, campaign films and social posts. Because the same people watch the garments come off the floor, the edits usually get fabric and fit right without much going back and forth.
- Small in-house team
- The people who edit are the people you speak to.
- Overlap with UK hours
- Reviews land in your morning, not overnight.
- Two revision rounds
- Included in the price on every project.
- You keep the files
- Masters, exports and project files on delivery.
A few things we’ve cut
Selected workWhat the studio takes on
Social versions
Vertical for Reels and TikTok, square for feed, widescreen for YouTube. Each one is reframed and re-timed for where it runs, so the garment stays in shot.
Campaign films
Longer pieces for a launch or a season, usually between 60 and 120 seconds. Assembly, music, sound design and a final grade.
Motion graphics
Titles, lower thirds, size charts, fabric callouts and logo animations, built with the type and colours you already use elsewhere.
Grading and clean-up
Consistent colour from shot to shot, so a garment looks the same throughout. We also clear up stray threads, creases and background clutter.
Captions and versions
Subtitles burnt in or supplied as SRT files, edits that still work with the sound off, and regional versions carrying different prices, language or end cards.
The same footage, cut three or four ways
A campaign usually has to run on a product page, in a feed and in a vertical video app on the same week. We cut each version separately so the garment stays in frame and the pacing suits where people are watching.
16:94:59:16One shot, three crops.
Ways brands work with us
Three common shapes
These are starting points rather than fixed products. Most projects end up somewhere between two of them, and we price whatever yours turns out to be.
Product set
For a drop that needs its product pages filled.
- Up to 10 product videos
- One master ratio and two social crops
- Colour matched to your stills
- About five working days
Campaign
For a season launch built around one film.
- A hero film up to two minutes
- Four platform versions
- Motion titles in your brand style
- Music licensing handled for you
Retainer
For brands posting something every week.
- A monthly block of edits
- A standing turnaround window
- Shared footage and asset library
- First place in the queue
If you have no footage
We can film your order being made
Cutting, stitching, hand-finishing, checking and packing, filmed in Kathmandu while your run is on the floor. It takes a bit of planning around the production schedule, so tell us early if you want it.
Ask about filmingHow an edit runs
01
Brief
You send footage and a few references. We agree what the deliverables are, what shapes they need to be in and roughly what the thing should feel like.
02
First cut
You get a watermarked review link. Comments attach to the timecode they refer to, so nobody has to describe where in the video they mean.
03
Revisions
Two rounds come with every project. We work through your notes and repost to the same link, so earlier versions stay where you left them.
04
Delivery
Final masters and every export you asked for, sent with the project files. If you move to another editor later, they can pick the work up from there.
What helps us start
Send these and we can quote properly
- Footage. Raw camera files are ideal, but phone clips are fine too
- Your logo, type and colour references
- Two or three edits you like, and one you do not
- Where each version will run, and how long it can be
- Any music direction, or leave the licensing with us
- The date it needs to be live
What comes back
Specifications we deliver to
- Ratios
- 16:9, 9:16, 4:5, 1:1
- Resolution
- Up to 4K, 25 / 30 / 60 fps
- Formats
- ProRes master + H.264 web
- Captions
- Burnt-in and .SRT
- Revisions
- 2 rounds included
- Turnaround
- 3–7 working days
Questions brands ask us
Do I have to manufacture with Kazi to use the editing studio?
No, we take on editing work on its own. Most of the brands we edit for do produce with us, and it helps: the team has seen the garment in production, so the fabric and the fit tend to come out right on the first pass.
What if I don't have footage yet?
We can film it for you. The team covers the production floor in Kathmandu while your order is being made, which gives you footage of your own garments instead of stock clips from somebody else's factory.
How do I send you large files?
A shared drive link, WeTransfer or Frame.io all work, and we can set up a direct upload if that is easier. Send the original camera files where you can, since a compressed export gives us much less to grade from.
Can you match our existing brand guidelines?
Yes. Send the type, colour and logo assets along with the brief and we build the titles and graphics against them, so the new work sits alongside what you already have.
Who owns the finished work?
You do, from the moment we deliver: the masters, the exports and the project files. We only use a piece in our own showreel if you tell us we can.
How is editing priced?
Per project, based on how long the finished pieces are, how many versions you need and how much footage there is to work through. Describe the scope on the quote form and we come back with a fixed figure.
Footage sitting in a folder?
Tell us what you shot and where it needs to run, and we will reply with a scope, a price and a delivery date.